Having recently moved to the Netherlands myself, I wanted to explore the publishing industry in this small yet influential country. Since 1997, Nijsen has built a strong and enduring reputation in Dutch publishing, and his publishing house continues to make an impact in these challenging times. So who better for insights on indie publishing in Holland?
Without further ado, here’s my conversation with Joost.
Hi, Joost. Thanks for speaking with us. First, could you tell us a little about Podium and its specialties as a publishing house?
Podium is publisher of Dutch and foreign fiction (including poetry) and quality nonfiction; journalism, but also upmarket cookery books, guides with a twist, and more. At home we’re known for our well-known Dutch writers, such as Kluun, Ronald Giphart, Wilfried de Jong, Arjen Lubach and Inge Schilperoord, amongst others.
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People Are Still Buying Books at Indie Bookstores (Forbes)
The death of bricks and mortar book-selling has been predicted for years. This is a depressing thought when so many of us (I’m a two-time non-fiction author, so I have skin this game) earn our living (or hope to), from the acquisition, editing, writing, designing, marketing and selling of books, whether adult coloring books, how-to guides, cookbooks or YA novels.
ISBN Q&A: Everything You Need to Know About Barcodes (BookWorks)
Probably one of the most confusing single discussion points among indie authors today is the topic of ISBNs. A question concerning ISBNs comes up at just about every presentation I give—from large international conferences to small gatherings of writers. So here I am today, blogging about the ISBN question in hopes that I can bring some clarity for you.
International Industry Notes (Pub Perspectives)
In September, kickoffs will occur for a new PEN America showcase of writers on Muslim identity, and for Frankfurt Book Fair’s 2016 Guest of Honor Flanders and The Netherlands.
What It Means to Be Fierce on the Page (Jane Friedman)
I first met poet and author Sage Cohen at the Willamette Writers Conference, while I was an editor at Writer’s Digest. The first thing that struck me about her was her laugh; you could hear it from across the hotel.
Nielsen Children’s Book Summit Preview (Pub Perspectives)
From “the push and pull” of screen time in the home to “the we, more, and now generation” of millennial parents, Nielsen’s conference on children’s books promises to interweave data and discussion.
Features and Marginal Cost in the Digital Age (Seth Godin)
Good, better and best were the three price points. Organizations had an easy way to distinguish between their various products. Adding more features cost more money, and so the Cadillac cost more than the Chevy.
7 Things Every Scholarly Publisher Should Know About Researchers (Scholarly Kitchen)
Many who work in scholarly publishing have little or no research experience themselves; even fewer do so in the field in which they publish. In an Ask the Chefs forum debating the value of research experience for publishers by asking whether publishers benefit from an advanced degree, views on the topic were mixed.